Process & Place: Exploring the Design Evolution of the Alfond-Lunder Family Pavilion
November 8, 2011 - March 30, 2013
LOWER JETTÉ GALLERIES
Currently under construction, the Alfond-Lunder Family Pavilion will open in the summer of 2013, marking the capstone event of Colby College’s bicentennial celebration. When complete, the new 26,000-square-foot addition will accommodate the Colby Museum’s growing collection as well as its administrative offices, education and outreach programs, and art studios for foundation and photography courses. The Pavilion will also function as the Museum’s primary entrance.
Presentations of new building projects typically feature finished designs in the form of plans and models. This exhibition, prepared by Frederick Fisher and Partners Architects, takes a different approach, exploring the contextual, collaborative, and place-envisioning process by which the Los Angeles-based firm arrived at the Pavilion’s design.
Louise Nevelson
Standing Figure (Proud Oriental Figure), c. 1947
Crushed stone
Gift of the Artist
Rediscoveries 1: New Perspectives on the Permanent Collection
November 8, 2011 - January 22, 2012
LOWER JETTÉ GALLERIES
Curated by David Simon
Founded on the belief that a museum is a platform for new ideas from diverse perspectives, Rediscoveries, an ongoing exhibition series, presents rotating selections from the permanent collection chosen by members of the Colby College community. Representing a wide range of disciplines, interests, and areas of expertise, guest curators include Colby faculty, students, staff, and friends of the Museum.
Rediscoveries 1 has been curated by David Simon, Ellerton and Edith Jette Professor of Art.
Berenice Abbott
Canyon, Broadway and Exchange Place, 1936
Gelatin silver print, 9 5/16 x 7 1/2 inches
National Gallery of Art, Gift of Marvin Breckinridge Patterson
American Modern: Abbott, Evans, Bourke-White
July 9, 2011 - October 2, 2011
UPPER JETTÉ GALLERIES,DAVIS GALLERY
In the 1930s, photographers pushed the genre of documentary photography to the forefront of public culture in the United States and onto the walls of newly opened museums and art galleries. This exhibition, focusing exclusively on the work of American photographers Berenice Abbott, Walker Evans, and Margaret Bourke-White, provides new insights into that historic development. Organized by the Amon Carter Museum of American Art and the Colby Museum, the exhibition comes to Waterville after its display at the Amon Carter and the Art Institute of Chicago.
James McNeill Whistler
Nocturne: Palaces, c. 1879
Etching and drypoint, ninth (final) state, 11 5/8 x 7 7/8 inches.
The Lunder Collection.
Exhibiting Whistler: A Tribute to David P. Becker
June 16, 2011 - October 2, 2011
THEATER GALLERY
A Bowdoin College alumnus and longtime resident of
Portland, David P. Becker (1947–2010) was also an internationally recognized
print scholar and curator. Selected from the Lunder Collection by guest curator
Susan Schulman, this tribute exhibition celebrates Mr. Becker’s passion for the
print medium, his impeccable connoisseurship, and his work as guest curator,
beginning in 2006, of several Whistler exhibitions at the Colby Museum.
Andrew Moore
Former Ford Motor Company Headquarters, Highland Park, 2009
Organized to
coincide with American Modern: Abbott,
Evans, Bourke-White, this exhibition presents seven works—all recent gifts
to the collection—from Andrew Moore’s Detroit
Disassembled series. Made between 2008 and 2009, these highly detailed color
photographs capture the citywide impact of Detroit’s industrial decline and the
gradual encroachment of nature on the city most associated with American
mobility.
,
Senior Art Exhibition
May 5, 2011 - May 22, 2011
LOWER JETTÉ GALLERIES,TEACHING GALLERY
The annual Senior Art Exhibition which brings together art by Colby seniors who have completed extensive work in their medium.
Maegan Beinoras
Patrick Burns
Katherine Gagnon
Madeline Gordon
Elizabeth Hathaway Hopestill Kraft
Heather Liu Samantha Richens
Michelle Russell
Jenna Sood
Allison Stroud Emily VanWyk
Lee Friedlander
Knoxville, Tennessee, 1971
Gelatin silver print, 10 x 11 7/8 inches
Promised gift of Norma B. Marin
Celebrating a Gift: The Norma B. Marin Photography Collection
April 14, 2011 - October 2, 2011
SOUTHEAST GALLERY
Norma B. Marin began collecting photographs in 1970, gradually
acquiring works by such major practitioners as Berenice Abbott, Alfred
Stieglitz, Ansel Adams, Imogen Cunningham, Charles Sheeler, Lee Friedlander,
Harry Callahan, and André Kertész. In the spring of 2011, Norma Marin
promised her collection to the Museum, dramatically transforming the breadth
and depth of its photography offerings. This exhibition presents a selection from the collection, which is distinguished by its vintage
prints and its wide range of subjects.
Susan Hiller
The J. Street Project (Index), (detail: Marienburg, Jüdenhain), 2002–05
from a wall-based installation of 303 archival color inkjet prints on paper, individual framed dimensions: 11 5/16 x 7 7/8 inches
After noticing a street in Berlin called Judenstrasse (Jews Street) in 2002, the artist Susan Hiller spent three years attempting to document all the places in Germany whose names still showed evidence of their former Jewish inhabitants. The J. Street Project includes an installation of 303 photographs, a 67-minute video, and a map and book documenting these sites.
Pierre-Auguste Renoir
Confidences, c. 1874
Oil on canvas, 32 x 23 3/4 inches
The Joan Whitney Payson Collection at the Portland Museum of Art, Maine. Gift of John Whitney Payson.
The Joan Whitney Payson Collection with Works from the Permanent Collection
February 3, 2011 - June 12, 2011
THEATER GALLERY
The
Colby College Museum of Art presents five world-class works of art from
The Joan Whitney Payson Collection, on biennial loan from the Portland
Museum of Art, exhibited in conjunction with works from the Colby
Museum's collection. This impressive collection includes paintings by
Gustave Courbet, Maurice Brazil Prendergast, Pierre-Auguste Renoir, Sir
Joshua Reynolds, and Alfred Sisley.
Alex Katz
Landscape with Bridge, c. 1950s
Brush and ink on paper, 12 3/4 x 19 3/8 inches
Gift of the artist
Alex Katz: Drawings
January 27, 2011 - October 2, 2011
THE PAUL J. SCHUPF WING FOR THE WORKS OF ALEX KATZ
Selected
from the Alex Katz Collection, this exhibition offers an overview of Alex
Katz’s drawing practice, from ink sketches to carefully finished
graphite drawings constituted by the effects of light and pose.
Clemens Kalischer
Untitled, from the Displaced Persons series, 1947–48
Gelatin silver print, 11 x 14 inches
The Lunder Collection. Image courtesy of the artist.
Clemens Kalischer: Displaced Persons
January 13, 2011 - June 12, 2011
UPPER JETTÉ GALLERIES
In
1947 and 1948, Clemens Kalischer (b. 1921, Germany) photographed World War II refugees from Europe as they
awaited immigration processing in New York City. These photographs became
Kalischer’s Displaced Persons series,
one of his first assignments as a young photojournalist. Having entered the United
States via the same route in 1942, Kalischer understood his subjects well.
Drawn from the Lunder Collection, this selection from the series shows
travelers in varying states of weariness and expectancy at the threshold of a
new life.
Scott Reed
Trickster, 2010
Pen and ink on paper, 4 3/4 x 3 inches
Courtesy of the artist
Scott Reed: Characters
January 13, 2011 - March 20, 2011
UPPER JETTÉ GALLERIES
Associate Professor of Art Scott Reed describes the imagery in his ink drawings as comprising "Worlds within worlds, personalities within personalities, characters all."
John S. Blunt
Mrs. Miller of Newton, New Jersey, c. 1830
Oil on canvas, 30 x 25 inches
Gift of Helen Warren and Willard Howe Cummings
Little Elegies: The Art of Nineteenth-Century Mourning
November 18, 2010 - October 2, 2011
DE FERRARI GALLERY
Drawn from the Museum's collections, this exhibition presents paintings, texts, and objects created to assuage grief, memorialize the dead, and remind viewers of religious beliefs during a period when death was an ever-present part of American life.
China, Northern Qi period
Buddhist Memorial Pillar, 6th century
Limestone, H. 33 1/4 inches
The Lunder Collection
Inspired by Buddhism: Asian Art from the Permanent Collection
November 18, 2010 - October 2, 2011
GOURLEY GALLERY
Inspired by Buddhism showcases Colby's strong holdings in Asian art, including works from the Lunder Collection, with objects from Cambodia, China, Tibet, Korea, and Japan.
Gina Siepel in collaboration with Mònika Sziládi
Portrait of the Artist as "The Trapper", 2010
From the "After Winslow Homer series." Archival inkjet print, 26 1/4 x 39 1/2 inches
Courtesy of the artist
currents6: Gina Siepel
November 4, 2010 - February 13, 2011
DAVIS GALLERY
The currents series provides solo exhibition opportunities for emerging artists with connections to Maine. currents 6 presents process- and performance-based works by Gina Siepel, including the artist's hand-built river workboat based on the traditional bateau and video documentation of her trips along the Kennebec River with a series of "guides"—individuals invited by the artist to share their expertise and personal reflections on the river. The exhibition also features Siepel's photographic restagings of Winslow Homer's iconic images of wilderness guides and videos exploring often overlooked historic markers and their surrounding environments. Commissioned by the Colby Museum, the installation by Siepel—a graduate of the Maine College of Art and alumna of the Skowhegan School of Painting and Sculpture—reconsiders the artist's role in society and creates what she describes as "living links" to the past.
Harriett Matthews
Tree House, 2010
Welded steel
Fall Faculty Exhibition
November 4, 2010 - January 2, 2011
UPPER JETTÉ GALLERIES
The Fall Faculty Exhibition presents an opportunity to view recent work by Colby College faculty members Bevin Engman, Gary Green, Maggie Libby, Harriett Matthews, Abbott Meader, Nancy Meader, Garry Mitchell, and Scott Reed.
Louise Nevelson
Cascade VIII, 1979
Painted wood, 94 1/2 x 72 1/2 x 10 inches
The Lunder Collection
Recent Acquisitions in Contemporary Art
June 1, 2010 - October 7, 2011
LOWER JETTÉ GALLERIES,TEACHING GALLERY
On view this summer is a dynamic group of new acquisitions in a wide range of media, including paintings by Bob Thompson, David Salle, Helmut Federle, and Nicole Wittenberg, all gifts from the Alex Katz Foundation; print purchases by Julie Mehretu, Vija Celmins, and Lee Bontecou made possible by Lindsay Leard Coolidge ’78; sculptures by Louise Nevelson and Kiki Smith from the Lunder Collection; and a sculpture by Louise Bourgeois on loan from Barbara and Ted Alfond.
James McNeill Whistler
Study, 1878
Lithotint with crayon and scraping in dark brown ink (first state of two), 16 7/16 x 12 3/8 inches
The Lunder Collection
The Search for Beauty: Whistler and His Time
May 20, 2010 - January 28, 2011
THEATER GALLERY
A leading figure of the Aesthetic movement, James McNeill Whistler valued beauty and “art for art’s sake.” Primarily composed of works from the Lunder Collection, this exhibition considers Whistler in the context of other 19th-century artists who similarly embraced Aesthetic ideals.
Berenice Abbott
West St. Row: II, 1936
Gelatin silver print, 6 3/4 x 9 7/8 inches
Lent by Norma B. Marin
Photographs from the Collection of Norma B. Marin
March 25, 2010 - April 3, 2011
SOUTHEAST GALLERY
Organized in collaboration with Gary M. Green, Assistant Professor of Art, this exhibition will present black-and-white photographs by American modernists from the collection of Norma B. Marin. Featured artists include Berenice Abbott, Ansel Adams, Harry Callahan, Imogen Cunningham, Alfred Stieglitz, and Paul Strand, among others.
John La Farge, American (1835-1910)
Agathon to Erosanthe (Votive Wreath), 1861
Oil on canvas, 23 x 13"<br>The Lunder Collection
Permanent Collection and Highlights from the Lunder Collection
January 6, 2000 - October 7, 2011
LUNDER WING
On an ongoing basis, the Colby Museum presents selections from the full range of its holdings in American art alongside highlights from the Lunder Collection. Concentrated in the gracious galleries of the Lunder Wing are early American portraits, 19th century master works in landscape, still life, and sculpture, as well as superb examples of genre scenes and folk art, and exemplary paintings and sculptures from early twentieth century American modernism. Arranged chronologically and by subject, the Colby Museum’s permanent collection galleries offer a comprehensive introduction to American art with an emphasis on regional themes characteristic of Maine and New England. Prominently featured is the James McNeill Whistler Collection, part of the Lunder gift. Permanent collection and Lunder Collection works from the mid-20th century to the present, many of which are large in scale, appear in the Jetté Galleries. The Colville Collection of Early Chinese Art, another component of the Lunder gift, is also on view.
Alex Katz, American (b. 1927)
Twilight, 1977
Oil on canvas, 126 x 96" <br>Gift of the artist
Alex Katz Collection
January 1, 2000 - October 7, 2011
PAUL J. SCHUPF WING
The Paul J. Schupf Wing for the Works of Alex Katz presents rotating selections from the Colby Museum’s comprehensive holdings of paintings, painted sculptures, and works on paper by this renowned American artist. On view are numerous examples of Katz’s iconic figurative works, including the monumental painting Pas de Deux from 1983, a gift from Paul J. Schupf in honor of Hugh J. Gourley III, director emeritus of the museum. Also featured are Katz’s expansive landscapes and cityscapes, paintings that capture qualities of light and aspects of the seasons with astounding economy and assuredness. Other highlights of the Katz Collection on view include the artist’s cut-out metal portraits and standing figures, painted front and back for a playful display of flatness in three dimensions.
John Marin, American (1870 - 1953)
Stonington, Maine, 1923
Watercolor and charcoal on paper, 21 3/4 x 26 1/4"<br>Gift of John Marin, Jr. and Norma B. Marin
John Marin Collection
January 1, 2000 - October 7, 2011
OSHER GALLERY
The John Marin Collection at the Colby College Museum of Art displays a retrospective collection of paintings, watercolors, drawings, etchings, and photographs by this important American modernist. Twenty-four works spanning the artist’s career from 1888 to 1953 were given to the museum in 1973 by John Marin Jr. and Norma B. Marin. An additional work was given in 1992, and in 1998 Norma Marin made a promised gift of 29 etchings by Marin and seven vintage photographs of Marin, including a platinum print by Alfred Stieglitz. The complete collection of Marin works is presented on an ongoing basis in two dedicated galleries of the Lunder Wing.