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“’Infused with the Best Essence of China’– Zao Wou-ki’s Early Career,” Orientations Magazine 46, no. 6 (September 2015)

“Privately Published Illustrated Books on Art from the Song Dynasty,” in The Non-Commercial Book in Imperial China, ed. Michela Bussotti (Paris: Ecole française d’Extrême-Orient, 2014)

“Object Lessons: Chinese Art in Colby Classrooms,” in Sharon Corwin et al., The Lunder Collection: A Gift of Art to Colby College (Waterville: Colby College Museum of Art, 2013)

“Art and Family Identity: The Zhao Family of Wuxing during the Yuan Dynasty,” in The Family Model in Chinese Art and Culture, ed. Jerome Silbergeld and Dora Ching (Princeton: Princeton University Press, 2013)

“The Vocabulary of Fashion: Word-Image Play in Southern Song Painted Fans,” National Palace Museum Bulletin 44 (October 2011): 39-48

Ink Tales: Chinese Paintings from the Collections of the Museums of Bowdoin and Colby Colleges (Waterville: Colby College Museum of Art, 2009)

“Early Yuan Views of Chinese Painting from the Jin to the Northern Song,” in A Thousand Years Heritage: Symposium on Ancient Chinese Painting and Calligraphy, Proceedings [Qiannian yizhen: Guoji xueshuyantaohui lunwenji] (Shanghai: Shanghai Museum, 2006), 325-330

“Allegories, Metaphors, and Satires: Writing About Painting in the Early Yuan Dynasty,” in Tradition and Transformation: Studies in Chinese Art in honor of Chu Tsing-Li, ed. Judith Smith (Lawrence: Spencer Museum of Art; Seattle: University of Washington Press, 2005)

“Art and Politics at the Mongol Court of China: Tugh Temür’s Collection of Chinese Paintings,” Artibus Asiae 64, no. 2 (2004): 243-280

Zhou Mi’s Record of Clouds and Mist Passing before One’s Eyes: An Annotated Translation (Leiden: Brill, 2002)

“Notes on the Early Yuan Antique Art Market in Hangzhou,” Ars Orientalis 27 (1997): 27-38