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The Colby 8 has been in existence, more or less officially, since
1947. The following is an excerpt from the early "History of the "Colby
Eight" 1947-51. Check back for further updates on how this group has
grown and matured into the ensemble of today. We don't know exactly
WHAT we are today, but we'll leave it to you to discover that! (Order
an album!) Anyway, here is the earliest known history of the Eight:
Out of the turmoil
of World War II, many new elements found their way to the Colby Campus;
some discordant, some harmonious -- all however, struggling to break
through to the new "peacetime" pace.
It was this kind
of atmosphere that prevailed during October of 1947 when an event occurred
which was to have a profound effect on the musical life at Colby. Many
of the events affecting world history have occurred with little fanfare
and no apparent significance at the time of their occurrence, yet their
significance was to become enormous. Such was the birth of the "Colby
Eight."
Credit for the
conception and the midwifery of this brainchild goes to two "singing
fools" -- Ed Waller '49 and Dick Leonard '50 -- who underwent the labor
pains of giving birth to the group and who nursed it through the early
days of its infancy. At that first rehearsal, the original group (Dick
Leonard '50, Ed Waller '49, Phil Lawrence '50, Connie White '49, Bob
Armitage '50, George Bowers '50, Tom Samuelson '49, Hal Wormuth '50
and Bump Bean '51) were gathered around a tinny old piano that had been
left to gather dust on the second floor of Roberts Union, sixteen eyes
were glued to the only copy of the old Yale Song Book owned by the group
(total investment, 95 cents), eight mouths opened and the simple old
spiritual "Talk About Jerusalem Morning" burst forth. What we heard,
we liked, and with this first major encouragement, the Eight was on
its way.
Among the early
songs which were included in the group's repertoire were such old barbershop
favorites as Aura Lee, One Two Three Four, Shall I Wasting In Despair,
Mavourneen, Carolina Moon, Cocaine Bill and Morphine Sue, Graceful and
Easy, Old Ark's-a-Movering, and George Jones. We even attempted to add
a slightly more modern flavor to our programs by including a stock arrangement
of "Mood Indigo" which was high-jacked during a post-concert elbow-bending
contest held in the Pine Tree Tavern. As legend would have it, that
same arrangement is still being sung by present-day Colby Eight groups.
[Modern Note: Mood
Indigo is, and always has been, the Colby Eight "theme" song. A slightly
different version of the arrangement's procurement exists- we believe
that we snagged it from Bowdoin in some less than moral manner. There
is no tangible proof either way (Thank God!)]
The history continues
much in the same way. While somewhat outdated now, especially the size
of the group, we continue the Colby Eight's tradition of commitment
to performance and music. We look forward to many more years, united
in harmony!

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