The first time Doris Kearns Goodwin '64 met President Lyndon Johnson, they danced. Literally and figuratively.

Goodwin went to Washington in 1967 as a White House Fellow, nominated for the program by Colby professor Al Mavrinac. After the induction ceremony, she attended a soiree given by the president that was packed with the most important people in government. Already angling to get Goodwin on his staff, Johnson swooped her around the ballroom, making small talk. He asked her if she had a lot of energy.

"Well," Goodwin said, "I hear you only need five hours of sleep, but I need only four so it stands to reason that I've got even more energy than you." Johnson countered that when he was a young man he, too, had hated to sleep, but the burdens of his office made rest more important. Then he went on to his next partner.

The anecdote, told in Goodwin's first book, Lyndon Johnson and the American Dream (André Deutsch, 1976), says as much about Goodwin as it does about the notoriously competitive Johnson, who couldn't bear to lose even a sleep-deprivation contest. Whether or not she's getting more sleep these days, Goodwin hasn't lost a step. Her books, media interviews and personal appearances are testimony to the level of energy she maintains.

Historian, biographer, political commentator, baseball savant and friend to presidents, Goodwin's career highs have been meteoric. But even for her, 1994-95 has been memorable. She's appeared everywhere, from Ken Burns' "Baseball" documentary to The MacNeil/Lehrer NewsHour to every major television morning show, C-SPAN, all the important newspapers, PBS and Arts & Entertainment Channel programs, national radio and The New York Times best seller list. Her latest book, No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II (Simon & Schuster, 1994), has found ardent fans across the country--including President and Mrs. Clinton--and will be adapted for a television miniseries.

Goodwin's popularity is as easy to understand as her gifts are extraordinary. She has the wealth of material and timing of a seasoned raconteur and the charm of an accomplished, contented woman. In writing and speaking, her enthusiasm bursts through every story, making it seem as though each telling is the first. She delightedly describes her fanaticism for baseball--she recounted entire Brooklyn Dodgers games for her father when she was a little girl ("I didn't know they put all that stuff in the papers the next day; I thought he wouldn't know what happened if I didn't tell him")--and she'll tell you about the heartbreak of the Dodgers' move to Los Angeles as if it happened yesterday. She provides lively political commentary for a weekly, Boston-based television program, and she's been wowing audiences and interviewers on the book-tour circuit since No Ordinary Time was published. Scheduled to speak on Mayflower Hill this month, in January she held a record-breaking Colby Club of Boston crowd spellbound through a 45-minute talk about the Roosevelt book, having drawn nearly 350 souls to Wellesley College on a miserable, drizzly evening that begged for home, hearth and hot toddies.
Goodwin's formula for success goes beyond charm and intelligence. As a Colby student she was noted for spending hours in Miller Library, poring over books and periodicals, writing papers--finding things out. A voracious learner then and now, Goodwin has used her endeavors to pile knowledge upon knowledge.

She went from Colby to graduate school at Harvard and then to the White House. After Johnson left the presidency, Goodwin accepted a teaching position in Harvard's government department and, for the next four years, shuttled between Cambridge and Johnson's ranch on the Pedernales River in Texas to assist him in compiling his memoirs. She married Richard Goodwin, a writer/attorney and a former speechwriter for John F. Kennedy and for Johnson. His contacts with the Kennedy family helped her gain access to never-before-published papers stored at the Kennedy compound in Hyannis Port, Mass. In 1987 she published The Fitzgeralds and the Kennedys, An American Saga (Simon & Schuster), which was the basis for ABC-TV's series "The Kennedys of Massachusetts."

Each of her books presented unique challenges, Goodwin says. "When I wrote the Johnson book I wasn't thinking of myself as a historian so much--or as a writer--but rather as someone who had this wonderful material and was trying to understand it. It's not really a full-scale biography as much as a character study of [Johnson]." Lyndon Johnson was a critical and popular success, and the confidence it gave Goodwin led her to experiment more with her writing. In The Fitzgeralds and The Kennedys, she says, she set out to create a world for readers.

"I had to start thinking about the craft of writing, which I really hadn't done," Goodwin said. "I started reading all the best history books I could find, reading novels. That was the first time I tried to figure out, `How am I going to do this?'" Her efforts paid off on a scale that would leave most fledgling writers breathless--The Fitzgeralds and the Kennedys was a number-one best seller.

Goodwin refined her skills further with No Ordinary Time, in which the private concerns of Franklin and Eleanor Roosevelt are woven into the story of America in World War II. The result is a book whose themes are both intimate and universal. The myopia of the United States is reflected in Franklin Roosevelt's grumbling about poor White House cuisine as Europe and Asia are devastated by war. But at the same time, America's native generosity glows through the president's damned-if-I-won't aid to Britain in the Lend-Lease program. Its exuberance rings in his laugh and flows through his closest relationships--with everyone from daughter Anna to British Prime Minister Winston Churchill. Its grit is symbolized in his daily struggle with paralysis--and its fear of weakness is clear in his refusal to admit publicly that he couldn't walk.

Eleanor Roosevelt comes across as a product of upper-crust neglect--an unloved child, a scorned daughter-in-law, a determined and humorless crusader and a betrayed wife. But she is redeemed by late-blooming friendships, mainly with women, and by work. She cares passionately about social issues and won't let reform be swallowed by the war effort. She is remarkable in her own right, gradually becoming aware of her worth and working that much harder to fulfill her promise. But she also is savvy enough to use her husband's influence to push her agenda.

Just as The Fitzgeralds and the Kennedys proved to Goodwin that she was a writer, No Ordinary Time gave her a chance to grow as a historian. It was the first book for which she had no special access to the subject and, like the Kennedy book, was written after years of meticulous research--including combing the holdings at the Roosevelt library in Hyde Park, N.Y., and conducting hundreds of interviews with the Roosevelts' children, grandchildren, other relatives and friends and with Roosevelt-watchers.

If Goodwin had anything to prove--to herself or anyone else--she succeeded. Among all the scholars who have written about the Roosevelts, Goodwin is the first to make extensive use of daily logs kept by White House ushers. She offers new insights into the Roosevelts' lives based on the logs, which recorded the comings and goings of Franklin, Eleanor and their numerous friends and guests over the 12 years of Roosevelt's presidency. The logs were Goodwin's way of penetrating the layers of respectful silence that once protected presidents from gossip about their private lives. Partly through them, for instance, she learned that the Roosevelts each installed an entourage in the White House. Franklin's secretary, Missy LeHand, lived there until she had a stroke in her mid-30s. His best friend, Harry Hopkins, took up residence in an upstairs bedroom until after his marriage, and a host of others--including an exiled European princess, Roosevelt's daughter Anna and his snooty Delano cousins--came and went, spending the evenings relaxing over drinks and amusing the president. Eleanor, who had no patience for cocktails, small talk or relaxation, had a retinue that included Lorena Hickok, a former journalist who lived at the White House virtually in secret. The logs show that Eleanor was away from the White House far more often than not, evidence Goodwin used--in conjunction with other research--to portray a marriage that evolved from mutual love to estrangement to admiration to deep affection.

Goodwin's knack for using materials such as the ushers' logs also extends to those things she doesn't write--for instance, that Eleanor had a lesbian relationship with Lorena Hickok.

"There is a trend in some modern biographies to not only go beyond speculation but to put thoughts in people's heads and go beyond the evidence in order to make it seem as though you are reading a novel. And I understand that desire," she said. "All the research I do is in an effort to make it seem as much as if you were there as possible. But if you go over that line beyond the evidence and you claim something is true just because you want it to be so or because it titillates the audience, then I think you lose the readers' trust."

Still, Goodwin's take on her subjects hasn't been overly reverent. She has admired each of them but hasn't hesitated to write about their failings. She says that's partly because she understands her responsibility as a historian to tell the truth and partly because she got to know one president when she was so young. "It just made me think about the president in human terms," she said of her time with Johnson. "In some ways, probably because of seeing him day in and day out in those last years of his life and realizing the kind of turmoils and ordinary struggles he was challenged by in those last years, it made me really see beneath the formal imagery of what he was doing as a president to the private joys and sadnesses he was encountering at the same time."

Chalk up her style, too, to "the female interest in relationships and in people," Goodwin said. She saw in Johnson's final years a cautionary tale about the price for putting one's profession above all else. Johnson got so accustomed to company that he could not be alone--he even made aides talk to him while he sat on the toilet and insisted they swim with him, doing a slow side stroke, in a White House pool so choked with floating desks and drink holders and trays that there was hardly room for people. He sacrificed family life and made those who worked for him sacrifice it, too. By the time he retired to the ranch he had become such a workaholic and micromanager that he stormed and fretted if his chickens weren't laying enough eggs. He hoped history would remember him for the Great Society reforms, but he probably knew that he was more likely to be remembered for escalating the Vietnam War.

Goodwin's examinations of Johnson, the Kennedys and the Roosevelts are unstintingly honest, despite her admiration for and friendships within the families involved. "You have to be willing to pay that price of some of those social relationships becoming strained, as long as you feel honest about what you've done," she said. "I'm not trying to `get' these people--so there's not a tonal problem--but there will be things that they don't feel good about. If somebody were writing about my family I wouldn't want anything negative written either."

She says she didn't worry too much about what Johnson's relatives would think of Lyndon Johnson and the American Dream. "The bigger worry was him, even though he was dead. I sometimes have the feeling that even now he's looking down and saying, `How come the book on me is the shortest of the three?'" Early reviews of The Fitzgeralds and the Kennedys focused on unpleasant revelations--Joe Kennedy's decision to order a lobotomy for daughter Rosemary without Rose Kennedy's knowledge, the uncovering of an anti-Semitic letter written by Joe Jr.--and Goodwin heard that some members of the family weren't pleased. "But as it turned out," she said, "they eventually read the book, and because the Fitzgerald part was new to a lot of them they were willing to not just stereotype it from what they'd read in the newspapers."

A proposed next book may be less likely to ruffle egos. Goodwin and husband Richard, who is the author of several books and wrote The New Yorker's "Talk of the Town" column for many years, plan to collaborate on a book that will take several presidential decisions and tell each like a story. "Truman firing McArthur, Wilson and the League of Nations, Lincoln deciding to provision Fort Sumpter, thereby bringing on the Civil War. . . . It'll be like a biography of the presidency, in a certain sense," Goodwin said, "because each will illustrate a different power."

Goodwin also has been asked to write about her childhood on Long Island in the 1950s and about the way loyalty to one of New York's three baseball teams helped new suburbanites retain their links with the city. "I'm really tempted to do it," she said, "because I can't spend ten years of research on it--there won't be that much. And again, it's part of that challenge of trying to figure out a new form and whether I can do it or not. So I've been reading memoirs lately. . . ."

Take note, autobiographers. The competition is about to get stiff.


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