Elizabeth H. Sagaser

Associate Professor of English

Box 5268

Phone: 207-859-5268
Fax: 207-859-5252
Mailing Address:
5268 Mayflower Hill
Waterville, Maine 04901-8852
Sagaser, Elizabeth H.

Education

B.A. Brown University
Ph.D. Brandeis University

Areas of Expertise

  • sixteenth and seventeenth century English poetry
  • history and theory of the lyric poem
  • early modern English and American culture
  • Dickinson, Shakespeare and transatlantic studies

Courses Currently Teaching

CourseCourse Title
EN120 B Language, Thought, and Writing
EN264 A Comparative Studies: Emily Dickinson and English Poetry
EN313 A Renaissance Poetry
EN493D A Seminar: Lyric Self and Other

Other Courses Taught

CourseCourse Title
EN493Lyric Self and Other (senior seminar)
EN413John Donne
EN413John Milton
EN313Renaissance Poetry
EN271Critical Theory
EN265British Literary History I (1580-1830)

Professional Information

Elizabeth Harris Sagaser works with poetry and poetics in many contexts. Her original specialty is Renaissance English poetry; she teaches and has published on Shakespeare's Sonnets, Spenser, Daniel, Mary Sidney Herbert, Milton's short poems, and Renaissance literary culture, including a well-received chapter on teaching form and meter (see "Flirting with Eternity," below). Most recently her research and teaching involve Emily Dickinson and 19th-century American receptions of Shakespeare. She also teaches a senior seminar. "Lyric Self and Other," involving ideas from linguistics, philosophy, and psychology as well as poetics. Her published work includes poems and personal essays as well as scholarship. The underlying concern of much of her research, teaching and writing is how people have used, and do use, literature--especially poetry-- to grapple with their knowledge of mortality and the failings of our species.

Current Research

transatlantic poetry, particularly Shakespeare in America and Dickinson's reading and poetics.

Publications

Scholarship
"The Renaissance, 1500-1660," article in "England, Poetry of." The Princeton Encyclopedia of Poetry and Poetics, Fourth ed., Roland Greene, et. al. (Princeton: Princeton University Press, 2012), 414-420, 428.
"Pursuing the Subtle Thief: Teaching Time and Meter in Milton's Short Poems," Approaches to Teaching Milton's Shorter Poetry and Prose, Peter C. Herman, ed. (New York, NY: Modern Language Association of America; 2007), 88-96.

"Elegiac Intimacy: Pembroke's 'To the Angell Spirit of the Most Excellent Sir Philip Sidney,'"
The Sidney Journal 23 (2005): 111-132.
"Flirting with Eternity: Teaching Form and Meter in a Renaissance Poetry Course,"Renaissance Literature and the Questions of Form, ed. Mark Rasmussen (New York: Palgrave at St. Martin's Press, 2002), 185-206.
"'Sporting the While': Carpe Diem and the Cruel Fair in Samuel Daniel's Delia and The Complaint of Rosamond," Exemplaria 10 (1998): 145-170.
"Shakespeare's Sweet Leaves: Mourning, Pleasure, and the Triumph of Thought in the Renaissance Love Lyric," ELH 61 (1994): 1-26.
"'Gathered in Time': Form, Meter (and Parentheses) in The Shepheardes Calender," Spenser Studies 10 (1992): 95-107.
Essays
"Poetry, the First Milk," The Chronicle of Higher Education (2/11/2011, Vol. 57 Issue 23): B11-B13
"Holding Infinity in the Palm of Your Hand," Tennis, (March 2007, Miller Sports Group LLC): 90-94.
"'No Proper Sphere' for Mum, but She Made One for Me," The Chronicle of Higher Education, Sect.2, Aug.10, 2001, B5.
Reviews
Double review: Pamela S. Hammons, Poetic Resistance: English Women Writers and the Early Modern Lyric (Hampshire, England: Ashgate, 2002) and Sidney L. Sondergard, Sharpening Her Pen: Strategies of Rhetorical Violence by Early Modern English Women Writers (Selinsgrove: Susquehanna UP; London: Associated UP, 2002), Renaissance Quarterly 57.1 (2004): 339-341.
Helen Vendler, The Art of Shakespeare's Sonnets (Harvard UP, 1997), Sixteenth Century Journal 29 (1998): 858-860.
Barbara Estrin, Laura: Uncovering Gender and Genre in Wyatt, Donne, and Marvell (Duke UP), Renaissance Quarterly 51 (1998): 310-311.
Poems
"Easter Bunny," The Southern Review 40 (2004): 478; "Sometimes" "I Will," The Southern Review 36 (2000): 534-536; "Eve of Conception (I)," "Eve of Conception (II)," Chicago Review 38 (1992): 65-6; "Love Without Poems,"Prairie Schooner 65 (1991): 115-116.

 


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