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Media Kit

Works in the Collection

For high-resolution images, please contact: Mirken Family Postbaccalaureate Fellow in Museum Practice Francisca Moraga López (207.859.5621 | fvmoraga@colby.edu)

George Bellows, The Sawdust Trail, 1917. Lithograph on paper, first state, 28 3/4 x 21 1/8 in. (73 x 53.7 cm). Colby College Museum of Art, The Lunder Collection, 127.2013. Photo by Pixel Acuity

George Bellows, The Sawdust Trail, 1917

George Bellows, The Sawdust Trail, 1917. Lithograph on paper, first state, 28 3/4 x 21 1/8 in. (73 x 53.7 cm). Colby College Museum of Art, The Lunder Collection. Photo by Pixel Acuity.

Joan Brown, Girl on Bed in London, 1961. Oil on canvas, 84 x 72 in. (213.4 x 182.9 cm). Colby College Museum of Art, The Lunder Collection, 2012.281. Photo by Peter Siegel, Pillar Digital Imaging LLC

Joan Brown, Girl on Bed in London, 1961

Joan Brown, Girl on Bed in London, 1961. Oil on canvas, 84 x 72 in. (213.4 x 182.9 cm). Colby College Museum of Art, The Lunder Collection. Photo by Peter Siegel, Pillar DigitalImaging LLC.

Harry Callahan, Eleanor, 1947. Gelatin silver print on sheet, 8 x 4 7/8 in. (20.3 x 12.4 cm). Colby College Museum of Art, The Lunder Collection, 2015.157. Photo by Pixel Acuity

Harry Callahan, Eleanor, 1947

Harry Callahan, Eleanor, 1947. Gelatin silver print on sheet, 8 x 4 7/8 in. (20.3 x 12.4 cm). Colby College Museum of Art, The Lunder Collection. Photo by Pixel Acuity. © The Estate of Harry Callahan; courtesy Pace/MacGill Gallery, New York

Mary Cassatt, In the Opera Box (No. 3), 1879-1880. Soft-ground, aquatint and etching on fine laid paper, 14 1/16 x 10 5/8 in. (35.7 x 27 cm). Colby College Museum of Art, The Lunder Collection, 2012.294. Photo by Peter Siegel, Pillar Digital Imaging LLC

Mary Cassatt, In the Opera Box (No. 3), 1879-1880

Mary Cassatt, In the Opera Box (No. 3), 1879-1880. Soft-ground, aquatint and etching on fine laid paper, 14 1/16 x 10 5/8 in. (35.7 x 27 cm). Colby College Museum of Art, The Lunder Collection. Photo by Peter Siegel, Pillar Digital Imaging LLC.

Olafur Eliasson, Jokla series, 2004. Chromogenic color print, 15 x 21 3/4 in. (38.1 x 55.2 cm). Colby College Museum of Art, The Lunder Collection, 2017.002

Olafur Eliasson, Jokla series, 2004

Olafur Eliasson, Jokla series, 2004. Chromogenic color print, 15 x 21 3/4 in. (38.1 x 55.2 cm). Colby College Museum of Art, The Lunder Collection. Courtesy the artist and Tanya Bonakdar Gallery, New York

Winslow Homer, Evening on the Beach, 1871-1878. Oil on canvas, 12 x 19 in. (30.5 x 48.3 cm). Colby College Museum of Art, The Lunder Collection, 027.2011. Photo by Peter Siegel, Pillar Digital Imaging LLC

Winslow Homer, Evening on the Beach, 1871-1878

Winslow Homer, Evening on the Beach, 1871-1878. Oil on canvas, 12 x 19 in. (30.5 x 48.3 cm). Colby College Museum of Art, The Lunder Collection, 027.2011. Photo by Peter Siegel, Pillar Digital Imaging LLC

Jasper Johns, False Start I, 1962. Color lithograph from eleven stones on ivory wove paper, 31 1/2 x 22 1/2 in. (80 x 57.2 cm). Colby College Museum of Art, The Lunder Collection, 2012.327. Photo by Peter Siegel, Pillar Digital Imaging LLC. Art © Jasper Johns and ULAE / Licensed by VAGA, New York, NY. Published by Universal Limited Art Editions

Jasper Johns, False Start I, 1962

Jasper Johns, False Start I, 1962. Color lithograph from eleven stones on ivory wove paper, 31 1/2 x 22 1/2 in. (80 x 57.2 cm). Colby College Museum of Art, The Lunder Collection.Photo by Peter Siegel, Pillar Digital Imaging LLC. Art © Jasper Johns and ULAE / Licensed by VAGA, New York, NY. Published by Universal Limited Art Editions

Jacob Lawrence, Builders #1, 1968. Gouache and tempera on paper, 29 x 21 1/2 in. (73.7 cm x 54.6 cm). Colby College Museum of Art. The Lunder Collection, 024.2008. Photo by Peter Siegel, Pillar Digital Imaging LLC

Jacob Lawrence, Builders #1, 1968

Jacob Lawrence, Builders #1, 1968. Gouache and tempera on paper, 29 x 21 1/2 in. (73.7 cm x 54.6 cm). Colby College Museum of Art. The Lunder Collection. Photo by Peter Siegel, Pillar Digital Imaging LLC. © 2017 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

Sol LeWitt, Open Modular Cubes (Small), 1995. Painted wood, 20 1/4 x 42 1/8 x 24 3/4 in. (51.4 x 107 x 62.9 cm). Colby College Museum of Art, The Lunder Collection, 2011.106. Photo by Peter Siegel, Pillar Digital Imaging LLC

Sol LeWitt, Open Modular Cubes (Small), 1995

Sol LeWitt, Open Modular Cubes (Small), 1995. Painted wood, 20 1/4 x 42 1/8 x 24 3/4 in. (51.4 x 107 x 62.9 cm). Colby College Museum of Art, The Lunder Collection. Photo by Peter Siegel, Pillar Digital Imaging LLC. © 2017 The LeWitt Estate / Artists Rights Society (ARS), New York

Maya Lin, Disappearing Bodies of Water: Arctic Ice, 2013. Vermont Danby marble on granite base (AP 1/1), 48 x 46 x 52 in. (121.9 x 116.8 x 132.1 cm). Colby College Museum of Art, The Lunder Collection, 2013.537. © Maya Lin, courtesy Pace Gallery

Maya Lin, Disappearing Bodies of Water: Arctic Ice, 2013

Maya Lin, Disappearing Bodies of Water: Arctic Ice, 2013. Vermont Danby marble on granite base (AP 1/1), 48 x 46 x 52 in. (121.9 x 116.8 x 132.1 cm). Colby College Museum of Art, The Lunder Collection. © Maya Lin, courtesy Pace Gallery

Joan Mitchell, Chamrousse, 1967-1968. Oil on linen, 99 x 64 1/2 in. (251.5 x 163.8 cm). Colby College Museum of Art, The Lunder Collection, 011.2014

Joan Mitchell, Chamrousse, 1967-1968

Joan Mitchell, Chamrousse, 1967-1968. Oil on linen, 99 x 64 1/2 in. (251.5 x 163.8 cm). Colby College Museum of Art, The Lunder Collection. © Estate of Joan Mitchell

Elie Nadelman, The Hostess, c. 1928. Bronze, 29 7/8 x 10 1/8 x 12 7/8 in. (75.9 x 25.7 x 32.7 cm). Colby College Museum of Art, The Lunder Collection, 2013.216. Photo by Peter Siegel, Pillar Digital Imaging LLC

Elie Nadelman, The Hostess, c. 1928

Elie Nadelman, The Hostess, c. 1928. Bronze, 29 7/8 x 10 1/8 x 12 7/8 in. (75.9 x 25.7 x 32.7 cm). Colby College Museum of Art, The Lunder Collection. Photo by Peter Siegel, Pillar Digital Imaging LLC. © Estate of Elie Nadelman

Kenneth Noland, Salute, 1963. Acrylic on canvas, 68 5/8 x 69 3/8 in. (174.3 x 176.2 cm). Colby College Museum of Art, The Lunder Collection, 2016.140

Kenneth Noland, Salute, 1963

Kenneth Noland, Salute, 1963. Acrylic on canvas, 68 5/8 x 69 3/8 in. (174.3 x 176.2 cm). Colby College Museum of Art, The Lunder Collection. Art © Estate of Kenneth Noland/ Licensed by VAGA, New York, NY

Georgia O'Keeffe, Lake George in Woods, 1922. Pastel on paper laid down on paperboard, 17 x 14 1/4 in. (43.2 x 36.2 cm). Colby College Museum of Art, The Lunder Collection, 054.2012. © Christie's Images

Georgia O'Keeffe, Lake George in Woods, 1922

Georgia O’Keeffe, Lake George in Woods, 1922. Pastel on paper laid down on paperboard, 17 x 14 1/4 in. (43.2 x 36.2 cm). Colby College Museum of Art, The Lunder Collection. © 2017 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York

Pablo Picasso, Blind Minotaur Led by a Little Girl in the Night (Minotaure aveugle guidé par une fillette dans la nuit), 1934. Aquatint worked with scraper to resemble mezzotint, drypoint and burin engraving, 15 3/16 x 19 13/16 in. (38.6 x 50.3 cm). Colby College Museum of Art, The Lunder Collection, 006.2016. Photo by Pixel Acuity

Pablo Picasso, Blind Minotaur Led by a Little Girl in the Night (Minotaure aveugle guidé par une fillette dans la nuit), 1934

Pablo Picasso, Blind Minotaur Led by a Little Girl in the Night (Minotaure aveugle guidé par une fillette dans la nuit), 1934. Aquatint worked with scraper to resemble mezzotint, drypoint and burin engraving, 15 3/16 x 19 13/16 in. (38.6 x 50.3 cm). Colby College Museum of Art, The Lunder Collection. Photo by Pixel Acuity. © 2017 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Van Rijn Rembrandt, The Three Trees, 1643. Etching with engraving and drypoint in black ink on ivory paper, 8 7/16 x 11 in. (21.4 x 27.9 cm). Colby College Museum of Art, The Lunder Collection, 003.2014

Van Rijn Rembrandt, The Three Trees

Van Rijn Rembrandt, The Three Trees, 1643. Etching with engraving and drypoint in black ink on ivory paper, 8 7/16 x 11 in. (21.4 x 27.9 cm). Colby College Museum of Art, The Lunder Collection.

Betye Saar, Leader, 1998. Mixed media assemblage, 26 x 13 1/2 x 2 3/4 in. (66 x 34.3 x 7 cm). Colby College Museum of Art, The Lunder Collection, 2012.328. Photo by Peter Siegel, Pillar Digital Imaging LLC

Betye Saar, Leader, 1998

Betye Saar, Leader, 1998. Mixed media assemblage, 26 x 13 1/2 x 2 3/4 in. (66 x 34.3 x 7 cm). Colby College Museum of Art, The Lunder Collection. Photo by Peter Siegel, Pillar Digital Imaging LLC.

Vincent van Gogh, Portrait of Dr. Gachet: L'Homme à la pipe, 1890. Etching with drypoint in black ink on thin Japanese paper, 15 3/4 x 11 in. (40 x 27.9 cm). Colby College Museum of Art, The Lunder Collection, 024.2015. Photo by Pixel Acuity

Vincent van Gogh, Portrait of Dr. Gachet: L'Homme à la pipe, 1890

Vincent van Gogh, Portrait of Dr. Gachet: L’Homme à la pipe, 1890. Etching with drypoint in black ink on thin Japanese paper, 15 3/4 x 11 in. (40 x 27.9 cm). Colby College Museum of Art, The Lunder Collection. Photo by Pixel Acuity.

Ai Weiwei, Colored Vases, 2006-2008. Neolithic Vases (5000-3000BC), industrial paint, dimensions variable. Colby College Museum of Art, The Lunder Collection, 2017.004

Ai Weiwei, Colored Vases, 2006-2008

Ai Weiwei, Colored Vases, 2006-2008. Neolithic Vases (5000-3000BC), industrial paint, dimensions variable. Colby College Museum of Art, The Lunder Collection. © Christie’s Images Limited, 2016

James McNeill Whistler, Bridge, Amsterdam, 1889. Etching and drypoint in dark brown ink on ivory laid paper, 6 1/2 x 9 1/16 in. (16.5 x 23 cm). Colby College Museum of Art, The Lunder Collection, 032.2013

James McNeill Whistler, Bridge, Amsterdam, 1889

James McNeill Whistler, Bridge, Amsterdam, 1889. Etching and drypoint in dark brown ink on ivory laid paper, fourth state (of five), 6 3/4 x 9 1/2 in. (167 x 241 mm). Colby College Museum of Art, The Lunder Collection.