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ric DeCosta ’93, the general manager of the NFL’s Baltimore Ravens

Spring 2019|Alumni

“I want to play for this guy.”

Eric DeCosta on meeting Coach Tom Austin for the first time

Lisa Noble, Colby’s director of employer engagement and DavisConnects advisor for finance, consulting, and entrepreneurship in the classroom

Spring 2019|Teaching

The Scoop on Marketing

Maine ice-cream maker turns to Colby team to help strengthen its brand in…

Central American immigrants walk into Texas after crossing the Rio Grande from Mexico

Spring 2019|Q & A

Cause and Effect

Lindsay Mayka on the southern border, Northern Triangle countries—Guatemala, Honduras, and El Salvador—and…

Gemma Bready ’17, on the account services desk at MarketAxess in New York

Spring 2019|Data Science

Ready, Willing,
and Able

No matter the major, Colby’s liberal arts graduates dive into financial technology—and thrive

Liam O’Brien and Alane O’Connor ’96 confer in O’Brien’s office at Colby

Spring 2019|Research

A Better Way

An addiction specialist and a Colby statistician team up to develop groundbreaking treatment…

Charlotte Wilder '11

Spring 2019|Alumni

All the Tools

Writer, podcaster, TV host Charlotte Wilder is the new face of sports media

Spring 2019|Online Exclusive

Tech’s the Thing

Performing arts meets technology to stage a story of our times

Colby Convocation

Spring 2019|Feedback

Your Voices

The Colby Community weighs in

Tenured faculty portraits

Spring 2019|Faculty

Colby Faculty Receive Promotion and Tenure

These assistant professors have received tenure and been promoted to associate professor: Denise Bruesewitz, environmental…

From the President

David A. Greene

I spend much of my time looking ahead, working to imagine how things…

From the Editor

I remember my first brush with data science at Colby. It was 1976,…

Alumni at Large

Alumni at Large

Keeping in Touch

Colby News Headlines

September 19, 2019
Carlson Writes Op-ed About Activism in Advance of Global Climate Strike
September 18, 2019
Osborne Contributes Chapter to The Routledge Handbook of Shakespeare and Global Appropriation