Robert Indiana: Placeholder

June 16, 2017 - August 27, 2017

William D. Adams Gallery, Museum Lobby

In 1978, facing eviction from his long-time studio in lower Manhattan, Robert Indiana (born 1928) relocated to the island of Vinalhaven, located in Maine’s Penobscot Bay. Robert Indiana: Placeholder features select prints from this moment that navigate the intersections of history, autobiography, and personal memory, including work inspired by Marsden Hartley’s German Officer paintings. It is organized as a complement to Marsden Hartley’s Maine.

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Visionary Painting: Curated by Alex Katz

June 1, 2017 - August 27, 2017

Davis Gallery

A summer resident of Maine since the mid-1950s, Alex Katz (born 1927) considers Marsden Hartley a “visionary painter” who has exerted a strong influence on his own career. This exhibition, curated by Katz, brings together an array of works by international artists to further illuminate Hartley’s legacy in postwar and contemporary art.

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Graphic Matters: George Bellows and World War I

February 9, 2017 - September 3, 2017

Gourley Gallery

Of the more than 170 lithographs that American artist George Bellows (1882–1925) produced between 1916 and 1924, twenty belong to his “War Series.” Graphic Matters reflects on the centennial of American entry into World War I by reexamining Bellows’s prints for the timely questions they raise about representation, aestheticized and institutionalized violence, nationalism, and masculinity.

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Highlights from the Permanent Collection

The Alfond-Lunder Family Pavilion, Lunder Wing

This exhibition showcases the reinstallation of the Museum’s permanent collection galleries and the integration of works from the Lunder Collection with the Museum’s core holdings. Supported by the Henry Luce Foundation, this display reflects the Museum’s ongoing commitment to a comprehensive representation of American art from the nineteenth century through the present.

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