The artist James McNeill Whistler closely observed the commercial activity of the River Thames, and his depictions of the waterway reveal an economic network that intertwined empire, industry, and environment. River Works examines this network and places Whistler’s art within the industrial-imperial system of the nineteenth century—a system whose legacies continue to inform our world today.More »
Occupy Colby is part of the Brooklyn Rail’s ongoing exhibition Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, featuring artists engaging with political and social concerns. This second iteration of the project focuses solely on environmental issues and particularly on climate change. Among the participating artists are Lauren Bon, Mel Chin, Justin Brice Guariglia, and Meg Webster.More »
Wíwənikan…the beauty we carry is an exhibition of contemporary art of the First Nations people of what is now Maine and Maritime Canada. Collectively known as the Wabanaki, the Maliseet, Micmac, Passamaquoddy, Penobscot, and Abenaki, our people have lived in and paddled through our homeland for thousands of years. Basketmakers, canoe makers, carvers, painters, and beadworkers, the artists in this exhibition carry the beauty of their ancestors and culture into the future.
Wíwənikan…the beauty we carry is guest curated by Jennifer Neptune, Penobscot basketmaker and beadworker; and Kathleen Mundell, director of Cultural Resources. Curatorial advisors Gretchen Faulkner, director of the Hudson Museum at the University of Maine, and Theresa Secord, a Penobscot basketmaker, consulted on the exhibition. In addition, the curators collaborated with a team of community advisors: James Francis (Penobscot), Suzanne Greenlaw (Maliseet), Brenda Moore Mitchell (Passamaquoddy), Jennifer Pictou (Micmac), and Frances Soctomah (Passamaquoddy). Julia Gray served as project manager.More »
While he was a student at the Cooper Union, Alex Katz enrolled in a class on illustration. The artist had first read Herman Melville’s 1851 novel Moby-Dick around the age of 13, and he found himself returning to the text in connection with assignments for this course.More »
Etching is a printmaking process rooted in line and tone that allows for seemingly endless variations of these two elements to create a wide range of visual effects and poetic moods. Consisting of works from the Lunder Collection, Intersecting Lines examines three artists—Rembrandt van Rijn, James McNeill Whistler, and Pablo Picasso—who were dedicated to exploring the full creative potential of etching as a form of artistic expression.More »
A popular subject in art and the wider visual culture, horses were commonly depicted in weathervane form in the nineteenth century. This exhibition explores some of the different varieties of horse weathervanes and their historical significances.More »
On view for the first time in the United States, Theaster Gates’s Facsimile Cabinet of Women Origin Stories includes nearly 3,000 images from the Johnson Publishing Company archive. Founded in 1942, Chicago-based Johnson Publishing chronicled the lives of Black Americans for more than seven decades through the magazines Ebony and Jet. Gates’s work, composed from arguably the most important archive of American Black visual culture in the twentieth century, recontextualizes and makes visible anew these images and their histories. The presentation of this new body of work is drawn from Gates’s Black Madonna exhibition at the Kunstmuseum Basel in 2018, part of his larger Black Image Corporation project. As Gates says, “‘The Black Image Corporation’ is about the projection of images into the world.” The work invites visitors to engage directly with these rich and varied representations depicting women in their everyday lives, historical moments, and studio poses.More »