Terry Winters made his first print in 1982 and, to date, he has created more than 110 editions, including numerous multi-sheet portfolios, working with innovative fine art presses internationally. This exhibition considers Winters’s use of the printed image as a resource for experimentation, invention, and collaboration. He views prints as equal to paintings and drawings and avoids applying a hierarchy to his various modes of working. Yet the print medium is nonetheless of special significance to an artist who has long looked to the universe of printed matter for inspiration and who consistently applies ideas generated through the printmaking process to his practice as a whole. With an emphasis on recent editions, the exhibition includes the print portfolio In Blue and a closely related painting of the same title, marking the first time that they have been exhibited together. Also featured are Winters’s most recent editions, Clocks and Clouds and Atmospheres, as well as his Notebook collages, hybrid works that combine found imagery and drawing in ways that resonate with the layered compositions of his prints.
A concurrent exhibition, Listen to this page. Works by Bern Porter from Colby College Special Collections, is drawn from the Special Collections at Colby College and is inspired by Winters’s interest in Porter’s visionary “founds,” artworks and poems gleaned from newspaper circulars, mailers, and advertisements.
Terry Winters: Printed Matters is organized in conjunction with Terry Winters Prints: 1999–2014, an exhibition at the Staatliche Graphische Sammlung München to which the Colby Museum is the primary lender. A related catalogue, which includes complete descriptions of Winters’s editions since 1999, is available through Prestel. In 2002, the Colby Museum became a repository for Winters’s complete printed works. View additional information on this collection.