Losang Samten: Sacred Sand Mandala

April 4, 2010 - April 13, 2010

Lower Jette Galleries

This will be the third visit of the Venerable Losang Samten, renowned Tibetan scholar and sand mandala painter.  During his stay, Samten will create a sand mandala, which will be ritualistically dismantled at a closing ceremony.  Related events:

Lecture: Wednesday, April 7, 6 p.m., Given Auditorium

Meditation: Saturday, April 10, 12 p.m., Paul J. Schupf Wing for the Works of Alex Katz

Dismantling Ceremony: Tuesday, April 13, 3:30 p.m., Lower Jetté Gallery

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Photographs from the Collection of Norma B. Marin

March 25, 2010 - April 3, 2011

Southeast Gallery

Organized in collaboration with Gary M. Green, Assistant Professor of Art, this exhibition will present black-and-white photographs by American modernists from the collection of Norma B. Marin. Featured artists include Berenice Abbott, Ansel Adams, Harry Callahan, Imogen Cunningham, Alfred Stieglitz, and Paul Strand, among others.

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Garry Mitchell: New Work

March 25, 2010 - April 30, 2010

Lower Jette Galleries

Colby Assistant Professor of Art Garry Mitchell presents new paintings on panel generated through an intuitive arrangement of forms, shapes, and colors. Prof. Mitchell’s paintings are composed of delicately rendered and layered abstractions that emerge through what the artist’s describes as “excavations,” when he releases “new shapes or networks from the wet surface.”

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Curated by Julie Levin Caro, Mellon Postdoctoral Fellow in American Art History

This exhibition considers a range of responses by African American artists to social, political, and aesthetic concerns. The artworks address racism and the legacy of slavery, document and celebrate African American culture and experience, and explore abstract and conceptual modes of representation. The exhibition features works by Edward M. Bannister, Romare Bearden, Allan R. Crite, David Driskell, Sam Gilliam, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Glenn Ligon, Alison Saar, Henry O. Tanner, James VanDerZee, Charles White, Fred Wilson, and others.

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Experimental Geography

February 21, 2010 - June 6, 2010

Upper Jette Galleries

The manifestations of “experimental geography” (a term coined by geographer Trevor Paglen in 2002) run the gamut of contemporary art practice today: sewn cloth cities that spill out of suitcases, bus tours through water treatment centers, performers climbing up the sides of buildings, and sound works capturing the buzz of electric waves on the power grid. The exhibition presents a panoptic view of this new practice, through a wide range of mediums including sound and video installations, photography, sculpture, and experimental cartography.

Artists in the exhibition: Francis Alÿs, AREA Chicago, The Center for Land Use Interpretation (CLUI), The Center for Urban  Pedagogy  (CUP), e-Xplo, Ilana Halperin, kanarinka (Catherine D’lgnazio), Julia Meltzer and David Thorne, Lize Mogel, Multiplicity, Trevor Paglen, Raqs Media Collective, Ellen Rothenberg, Spurse, Deborah Stratman, Daniel Tucker, Alex Villar, Yin Xiuzhen.

 
Experimental Geography is a traveling exhibition organized and circulated by iCI (Independent Curators International), New York. The guest curator for the exhibition is Nato Thompson. The exhibition, tour, and catalogue are made possible, in part, by the Horace W. Goldsmith Foundation, the iCI Advocates, the iCI Partners, Gerrit L. and Sydie Lansing, and Barbara and John Robinson.

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All Puns Intended: Wordplay and Visual Imagery in China

January 28, 2010 - March 24, 2010

Teaching Gallery

Curated by Laure-Helene Caseau ’10, Kai Chen ’13, and Andrew Rosseau ’11, with Ankeney Weitz, Associate Professor of Art and East Asian Studies

Chinese decorative art mostly consists of auspicious imagery, including many varieties of flowers—especially hibiscus, peony, and lotus—and animals like bats, dragons, cranes, and bees. By joining several images together, Chinese artists inscribed clever puns or rebuses upon the surfaces of objects and paintings. Understanding the images in this exhibition will depend on a special kind of reading in which the sound of the symbol’s name rhymes with the sound of another word or phrase.

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