POPULAR INDIAN FILM: RELIGION, MORALITY, AND AESTHETICS

           

Religion 297 B                                                                     Nikky  Singh           

Fall 2005                                                                   Office: Lovejoy 349;    X 3175

                                                                                    Office Hours:           M 12-1;

T/Th 2.30-3.30

 

REQUIRED TEXTS

 

1.     R.K. Narayan, The Ramayana: A Shortened Modern Prose Version of the Indian Epic (Penguin)

2.     Barbara Stoller Miller, The Bhagavad Gita

3.     Vijay Mishra, Bollywood Cinema: Temples of Desire (Routledge)

 

Additional materials will be put on reserve in Miller

 

 

REQUIREMENTS

 

            WEEKLY SCREENING OF FILMS

            WEEKLY CLASS DISCUSSION ON FILMS AND READINGS

3 PAPERS DUE:

OCTOBER 17                        (5 pages)

NOVEMBER 14                    (5 pages)

DECEMBER XX                    (7 pages)       

 

 

 

SCHEDULE 

 

SEPT. 12         Introduction: The Bollywood Scene

CBS video: Aishwarya Rai: The Most Beautiful Woman in the World

Aishwarya  dance to the song "dollareŠ" from Devdas

Bell hooks'introduction to Reel to Real: race, sex and class at the movies (Routledge, 1996)

Start reading Miller's translation of the Bhagavad Gita.

 

19                    Film: Amar Akbar Anthony: Religious Diversity in India

Reading: Eaton, "Sufi Folk literature and expansion of Indian Islam" in  (on reserve)

Temples of Desire, skim through chapters 5 & 6 ("The Actor as Parallel Text: Amitabh Bachan" )

 

 

26                    Film: Waqt

Reading: Rosie Thomas, "Melodrama and the Negotiation of Morality in Mainstream Hindi Film" in Breckenridge (ed) Consuming Modernity: Public Culture in a South Asian World, pp. 157-182 (on reserve)

 

Steve Derne, "Market Forces at Work: Religious Themes in Commercial Indian Films" in L. Babb and Susan Wadley Eds., Media and the Transformation of Religion in South Asia (Philadelphi: University of Pennsylvania, 1995), pp. 191-216.

(on reserve)

 

And the Bhagavad Gita

 

 

OCT 3             Film: Kabhi Khushi Kabhi Gham

Reading: William Harman, "The Sacred Marriage Metaphor in Religious Studies and in Hinduism" from The Sacred Marriage (Indiana, 1989), pp., 1-20 (on reserve)

 

Selections on "marriage" from Pandey's Hindu Samskaras: Socio-Religious Study of the Hindu Sacraments (Delhi, 1969) (on reserve)

 

Reading: Sudhir Kakar, "The Ties That Bind Family Relationships in the Mythology of Hindi Cinema" in India International Centre Quarterly 8: 1, pp., 11-21 (on reserve)

 

And The Ramayana: A Shortened Modern Prose Version of the Indian Epic

 

 

17                    First Paper Due!

 

 

24                    Film: Mother India

                        Reading: "The Texts of Mother India" in Temples of Desire, "

pp., 61-87

 

Nasreen Munni Kabir, "Working Wonders" in Bollywood: The Indian Cinema Story, Channel 4 books, 2001, pp. 103-121 (on reserve)

                        And the myths of  "Savitri" and "Sita, the Ideal Wife" (on reserve)

 

 

31                    Film: Jai Santoshi Maa

Reading: Philip Lutgendorf, Who Wants to be a Goddess? Jai Santoshi Maa Revisited" in Chakra 3, 2005, pp. 72-112 (on reserve)

 

Selections from Stanley Kurtz, All the Mothers are One (Columbia, 1992) will be available on reserve.

 

 

NOV. 7           Film:  Devi

Reading, Nikky Singh, "From Flesh to Stone: The Divine Metamorphosis in Satyajit Ray's Devi" in Journal of South Asian Literature (Michigan State University) Vol. XXVIII, pp. 227-250 (on reserve)

 

Ashis Nandy, "An Intelligent Critic's Guide to Indian Cinema" in The Savage Freud (Princeton, 95), pp. 196-236 (on reserve)

 

 

14                    Second Paper due! 

Screening of Mughal-e-azam

Reading on Mughal Emperors Akbar, Jahangir, and Shah Jahan

 (on reserve)

 

 

21                    Film: Umrao Jan

Reading: Oldenberg, "Lifestyle as Resistance: The Case of the Courtesans of Lucknow" in Lucknow: Memories of a City (Oxford, 1997), pp.,136-154 (on reserve)

 

 

28                    Film: Dilwale Dulhaniya Le Jaenge

Patricial Uberoi, "The Diaspora Comes Home: Disciplining Desire in DDLJ" in Contributions to Indian Sociology 32.2, pp. 305-336 (on reserve)

 

"Female Bodies and the Male Gaze: Laura Mulvey and Hindi Cinema" (chapter 3), "Courting: Hindi Film Ishtyle" (chapter 4), and "Women in Indian Cinema: Fictional Constructs" (chapter 5) in Jasbir Jain and Sudha Rai (eds.) Films and Feminism: Essays in Indian Cinema, (Rawat Publications, Jaipur, 2002), pp. 52-71 (on reserve)

 

Vijay Sharma, "Bombay Cinema and Diasporic Desire" in Temples of Desire, pp. 235-269

 

 

DEC. 7            Film: Veer Zara

                        Sacred spaces of the Punjab: mandir, masjid, gurdwara

                       

 

Final Paper due during exam week