g e e l
By René Johnson
g e e l is a devised, original one-woman show, written and performed by René Johnson. The action unfolds through thoughtful storytelling as her “tribe,” the audience, experiences a new kind of interactive theater that includes powerful dance and song in multiple languages, including English and Afrikaans.
Amanda Huotari, Executive Artistic Director of Celebration Barn shared, “René is a creative powerhouse with an incredible story of overcoming childhood trauma. She takes the audience on a journey from South Africa to Maine in beautiful and inspiring ways.”
Ages 13+/parents use best judgement for adult themes, adult language, and sever violence depicted.
New York Gilbert and Sullivan Players
Ride a wave of music and laughter as romantic sailors, sisters, cousins, and aunts sing and dance their way across the deck of the fanciful British naval vessel with the improbable name. The very proper Captain Corcoran and ridiculously pompous Sir Joseph Porter preside, the villainous Dick Deadeye speaks the ugly truth, and Little Buttercup reveals the outrageous mistake that allows true love to overcome the problems of class distinction. Memorable signature tunes abound on board ship and the riotous “Bell Trio” sparks a celebration in Act II.
This touring production is made possible by a very special partnership between Bill and Joan Alfond, the Waterville Opera House, Waterville Creates, the Department of Theater and Dance, the Office of the Provost, the Department of Music, and the Center for the Arts and Humanities!
Break, Burn, Build: A Short Program of New Performances
In this mixed evening of performance, First-Year students and Theater and Dance Majors and Minors take the stage in both student- and faculty- directed new works. The evening will feature the full range of performance research created in the Department of Theater and Dance—including theater, dance, design, and hybrid Dance Theater. Developed in a short period, these projects highlight collaboration, experimentalism, and inquiry-based creative research. The evening celebrates the opportunity to share those processes on stage. Colby’s Family Homecoming Weekend is packed with ways of witnessing student work and student life. Add this to your docket, and then head off to see the next events!
The *Annotated* Taming: Or, Out of the Saddle, Into the Dirt
An Adaptation Created By Toby Bercovici Based on William Shakespeare’s The Taming of the Shrew
The story of Katherina Minola, a fiercely independent young woman held in captivity by her father and then sold into marriage to the highest bidder. Her husband Petruchio recognizes her brilliance, and, in his words, the “two raging fires meet together [and] consume the thing that feeds their fury.” Shakespeare’s passionate love story and searing critique of gender roles is turned here into a fresh and politically relevant musical adaptation.
The Passion Project
An evening of original, story-based performance about the issues Colby students are most passionate about in their lives. Through the JanPlan Activist Storytelling Workshop, students will write and rehearse a series of short solo and small group pieces inspired by what change they would like to see in our world, and then present their new work to audiences on campus and at Portland Stage’s Studio Theater.
Portland Ballet Collaboration
Students will spend Jan Plan in Portland, Maine. They will participate in daily company classes with the Portland Ballet Professional Company, in a new creative project with a visiting choreographer, and will have part-time internships with the Portland Ballet in a variety of areas.
By Israel Horovitz
Star-crossed lovers, unionized laborers, a secret Jewish army, and many others become entangled by an intriguing plan to bring about significant healing from the Holocaust. Chancellor Stroiber thinks he can reduce the shame today’s Germans are forced to bear from the actions of their ancestors, but he inadvertently exposes the ugly underbelly of a world that may not be ready for profound cultural revision. Set in modern times, Israel Horowitz’s Lebensraum is a cautionary tale of what could come from reversing the ideologies of the Germanic ‘living space’. At the bidding of the playwright, inventive staging keeps this sometimes grim story forever entertaining.
The Wonderful World of Dissocia
By Anthony Neilson
March 15-17 at 7:30 p.m.
Take a trip to a curious land unlike any other. The innovative Scottish playwright Anthony Neilson has created The Wonderful World of Dissocia, where young everywoman Lisa Jones finds herself on a quest to recover a missing piece of herself. There she discovers that nothing is as it seems. A cunning mix of fantasy, comedy, music, and drama, the play entertains while it asks difficult questions. How do you make sense of a seemingly senseless world? What is the price of our illusions? How do you stay connected in a world where there is nothing to hold onto? As the playwright has said, “If you like Alice in Wonderland but there’s not enough sex and violence in it, then Dissocia is the show for you.”
Quicksand: A Dance Concert
Live performance is ephemeral. Sometimes we slip into it and sometimes it drips through our grasp; we experience its impact more palpably than we can recreate individual moments. This evening of new work highlights that ephemeral process of meaning-making as performers, audience members, and student choreographers together negotiate performances of passing realities. In addition to the new works the students of TD 258, Improvisational Practices in Dance, will create before your eyes each night, the performance features a a new piece by guest artist Jenna Riegel of the Bill T Jones/Arnie Zane Dance Company as well as senior capstone projects by Julia Borges ’18 and Lucy Soucek ’18 who turn to the choreographic process as a tool for collaborative re-invention of human experience.
Season is subject to change.