Faculty Directed/Choreographed Productions

The Last Days of Don Juan by Tirso de Molina, adapted by Nick Dear,
November 14, 16, 20, 22, 1997, Strider Theater.

The Phantom Lady by Calderon de la Barca, adapted by Richard C. Sewell,
November 13, 15, 19, 21, 1997, Strider Theater.

Cabaret by Joe Masteroff, John Kander, and Fred Ebb,
February 5, 6, 7, 1998, Waterville Opera House,
Co-Produced with The Department of Music.

From The Celtic Twilight: Plays by W. B. Yeats, adapted by Ricard C. Sewell,
April 16, 17, 18, 1998, Cellar Theater.

Up Beats: Colby Dancers in Concert,
April 30; May 1, 2, 1998, Strider Theater.

 

Touring Productions/Guest Artists
Sponsored By The Department

Peer Gynt by Henrik Ibsen,
October 1, 1997, Strider Theater,
National Theatre of the Deaf.

Mango Street, adapted by Ruth Brancaccio,
November 20, 21, 22, 1997, Pugh Center,
Producer: Social Action Theater.

Road Movie,
February 19, 20, 21, 1998, Strider Theater,
Starving Artist Theater Company.

Letters to a Student Revolutionary by Elizabeth Wong,
March 12, 13, 14, 1998, Pugh Center,
Producer: Social Action Theater.

 

Student Directed/Choreographed Productions

Who’s Afraid of Virginia Woolf? by Edward Albee,
October 24, 30; November 1, 1997, Cellar Theater,
Producer: Powder and Wig.

Uncle Vanya adapted by David Mamet,
October 23, 25, 31, 1997, Cellar Theater,
Producer: Powder and Wig.

One-Act Festival,
January 23, 24, 25, 1998, Cellar Theater,
Producer: Powder and Wig.

The Importance of Being Earnest by Oscar Wilde,
March 11, 12, 13, 1998, Strider Theater,
Producer: Powder and Wig.

The Baltimore Waltz by Paula Vogel,
March 12, 14, 15, 1998, Strider Theater,
Producer: Powder and Wig.

Vinegar Tom by Caryl Churchill,
May 7, 1998, The Heights Lawn,
Producer: Powder and Wig.

 

< 1996-1997 | 1998-1999 >