Adrianna Paliyenko joined the French staff in 1989 and has developed a collaborative approach to teaching language, literature and culture at all levels of the curriculum. She regularly integrates technology and draws on the visual arts to make French and Francophone studies come alive for her students. A passion for poetry deepened by the history of ideas on genius and gender and more recently enriched by colonial narratives inspires her scholarship which includes: a book on Rimbaud and Claudel; articles and chapters on 19th-century French psychiatry, Apollinaire and Breton, Paris Dada, Descartes and Lacan, 19th-century poetry by women (Ackermann, Desbordes-Valmore, Krysinska, Siefert, among others), and a critical edition of a 19th-century colonial-themed novel by Anaïs Ségalas. Her most recent publications include: a critical edition of Mme A. Cashin's 1847 novel, Amour et liberté. Abolition de l'esclavage with L'Harmattan (October 2009); The Cultural Currency of Nineteenth-Century French Poetry (2008), a special double issue of Romance Studies co-edited with Joseph Acquisto in which she has an article on Louise Ackermann's poetic turn to science; and a special issue of L'Esprit Créateur, Engendering Race: Romantic-Era Women and French Colonial Memory (2007) to which she contributed an article on Marceline Desbordes-Valmore's belated colonial narrative "Sarah." Work in press includes Marie Krysinska: une écriture de la dissonance poétique et sociale (PUSE, 2010), edited with Seth Whidden and Gretchen Schultz, in which Paliyenko has a chapter on Krysinska's theorization of poetic evolution. She is also completing a book on women's contributions to 19th-century French poetic history. Future projects include a study on the creolization of race, gender, and genius in the French colonial archive.

Last updated: 1/16/2010