Daniel Harkett
Books
The Art of Sociability in Restoration France, forthcoming from Bloomsbury Press.
Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, co-edited with Katie Hornstein. Hanover, NH: Dartmouth College Press, 2017.
Essays in Books
“Tea vs. Beer: Class, Ethnicity, and Alexander Dorner’s Troubled Tenure at the Rhode Island School of Design.” In Why Art Museums? The Unfinished Work of Alexander Dorner, edited by Sarah Ganz Blythe and Andrew Martinez, 93-112. Cambridge, MA: MIT Press, 2018.
“Revisiting Horace Vernet’s Studio Exhibition.” In Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, edited by Daniel Harkett and Katie Hornstein, 38-56. Hanover, NH: Dartmouth College Press, 2017.
“Delphine Gay and the Paris Salon.” In Painting for the Salon/Peindre pour le Salon, 1791-1881, edited by James Kearns and Alister Mill, 73-92. Oxford and Berne: Peter Lang, 2015.
“Mediating Private and Public: Juliette Récamier’s Salon at L’Abbaye-aux-Bois.” In Women, Femininity, and Public Space in European Visual Culture, 1789-1914, edited by Temma Balducci and Heather Belnap Jensen, 47-64. Farnham: Ashgate, 2014.
“The Giraffe’s Keepers and the (Dis)play of Difference.” In Of Elephants and Roses: French Natural History, 1790-1830, edited by Sue Ann Prince, 149-58. Philadelphia: American Philosophical Society, 2013.
“Revelation, Narrative, Rupture: Viewing David in Restoration Paris.” In David After David: Essays on the Later Work, edited by Mark Ledbury, 314-25. Williamstown: Clark Art Institute in association with Yale University Press, 2007.
Journal Articles
“Citizenship Papers.” Archives of American Art Journal 56, no. 1 (Spring 2017): 66-73.
“‘To my friend’: Hyacinthe Aubry-Lecomte’s Madame Récamier (1827).” Manual 2 (Spring 2014): 22-34.
“Illusions of Power: The Diorama and the Royalist Press in Restoration Paris.” Visual Resources 22, no. 1 (March 2006): 33-52.
Book and Exhibition Reviews
Review of Andrew Shelton, Ingres and His Critics. Cambridge: Cambridge University Press, 2005. caa.reviews, April 23, 2008.
Review of “Jacques-Louis David: Empire to Exile” exhibition. caa.reviews, March 15, 2006.
Review of “The Power of Conversation: Jewish Women and their Salons” exhibition. Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005), http://19thc-artworldwide.org/autumn_05/reviews/hark.html