Professor of Art Véronique Plesch contributed the paper “The Anxiety of the Copy: Uniqueness and Reproduction in Hergé’s Le Sceptre d’Ottokar” for the recently released book titled Reproducing Images and Texts / La reproduction des images et des textes (Ed. Kirsty Bell and Philippe Kaenel. Amsterdam: Brill, 2021. 387-400). The paper stems from a plenary lecture Plesch delivered in Lausanne, Switzerland, in 2017, and became the starting point for the Humanities Lab she taught last year on Copies, Fakes, and Forgeries in which students created this website.