Exhibitions Currently On View
Shady ElNoshokaty, Stammer - A Lecture in Theory (detail)

Shady El Noshokaty

Stammer – A Lecture in Theory (detail), 2007-13

Multi-media installation

Courtesy of the artist

Histories of Now: Six Artists from Cairo

January 25, 2014 - June 8, 2014

LOWER JETTÉ GALLERIES

Curated by Co-curated by Ahmed Abdalla and SMFA Curator Joanna Soltan for the School of the Museum of Fine Arts, Boston

Opening to coincide with the third anniversary of the first protests in Tahrir Square, Histories of Now: Six Artists from Cairo presents distinctive filmic visions of Egypt’s current political and social environment. Consisting of video and multimedia installations by some of the strongest and most engaged among contemporary artists currently living in Cairo, Histories of Now approaches the reshaping of Egypt not from an outside Western perspective but rather from within, offering a vision of the country’s current cultural and art-making practices. The six artists in the exhibition are Mohamed Abla, Ahmed Basiony, Hala Elkoussy, Shady El Noshokaty, Sabah Naim, and Moataz Nasr.


Thomas Wilmer Dewing, The Song

Thomas Wilmer Dewing

The Song, 1891

Oil on canvas, 26 1/2 x 34 in.

The Lunder Collection

The Lunder Collection: A Gift of Art to Colby College

July 13, 2013 - June 8, 2014

THE ALFOND-LUNDER FAMILY PAVILION,LUNDER WING

In 2007 Peter and Paula Lunder, longtime benefactors of Colby College, promised their collection of more than 500 works of art to the Colby College Museum of Art. The Lunder Collection: A Gift of Art to Colby College, installed in the new Alfond-Lunder Family Pavilion and the Lunder Wing, commemorates the formal transfer of this extraordinary gift to Colby. The exhibition presents more than 280 works from the Lunder Collection and showcases the collection's strengths in 19th and 20th-century American and contemporary art. On view will be paintings and works on paper by American masters George Caleb Bingham, George Catlin, John La Farge, John Singer Sargent, Mary Cassatt, Winslow Homer, George Inness, Thomas Wilmer Dewing, Edward Hopper, and Georgia O'Keeffe, sculptures by Augustus Saint Gaudens, Frederick Remington, Paul Manship, Elie Nadelman, and Alexander Calder, and important contemporary works by Romare Bearden, Donald Judd, Louise Nevelson, Claes Oldenburg, John Chamberlain, Jenny Holzer, and Maya Lin. The exhibition also includes more than 30 prints and paintings by James McNeill Whistler. These works are drawn from the Lunder Collection's deep Whistler holdings, which comprise the largest single collection of work by this pivotal artist to be given to an American academic museum to date.  The exhibition is accompanied by a richly illustrated book of collection highlights, with essays by noted curators and art historians.


Lady Watching a Maid with a Parrot

Formerly attributed to: Wang Juzheng (Chinese, active early 11th century)

Lady Watching a Maid with a Parrot, Southern Song dynasty, Early 13th century

Ink and color on silk, 9 3/16 x 9 1/2 in.

Museum of Fine Arts, Boston, Harriet Otis Cruft Fund

Spaces & Places: Chinese Art from the Lunder-Colville Collection and the Museum of Fine Arts, Boston

July 13, 2013 - June 8, 2014

UPPER JETTÉ GALLERIES

Curated by Ankeney Weitz

Spaces & Places presents Chinese artworks from the rich holdings of the Lunder-Colville Chinese Art Collection at Colby College and the world-renowned collection of Chinese art at the Museum of Fine Arts, Boston. By featuring works that were displayed in the imperial court, private residences, temples, and tombs, the exhibition demonstrates how art enlivened these spaces and created meaning within four very different realms of visual culture. A wide range of objects drawn from all periods of premodern China—from paintings to ceramics, textiles to sculptures—allows viewers to appreciate and understand art’s power and varied purposes in specific contexts.  


Blackhawk

Attributed to J. W. Fiske Co., New York City (active 1870-1893)

Blackhawk, 1870-1893

Copper with original gold leaf, 17 3/8 x 24 in.

Anonymous loan

American Weathervanes from a Distinguished Maine Collection

July 13, 2013 - June 8, 2014

SAGE GALLERY

The wind is our most immediate predictor of weather, an endlessly fascinating phenomenon for human observation and discussion. The practice of gauging wind direction dates as far back as ancient Greece, and decorative weathervanes were common on churches in medieval Europe. Early settlers brought the tradition to America, where it evolved from its religious and scientific roots to become a thriving, creative industry and a means for self-expression. The works in this exhibition, drawn from a private collection in Maine, represent some of the finest designs and iconic forms of the late nineteenth century, the heyday of weathervane production.


Julianne Swartz, Affirmation

Julianne Swartz

Affirmation, 2006-13

Site-specific installation; speakers, recorded soundtracks, and duct and plumbing modifications

Courtesy of the artist

Julianne Swartz: Affirmation

July 13, 2013 - June 8, 2014

LOBBY

"What could someone say to you that would make you feel completely loved (acknowledged, understood, respected, cared for, attractive, embraced, supported, safe, cherished...)?" Julianne Swartz recorded seventy-two answers to this question, and these voices emerge from the museum's architecture in Affirmation. Swartz originally conceived of this piece for the Tate Liverpool in 2006, where she activated ten sites throughout the museum with sound.


Alex Katz

Alex Katz

Late July, 1971

Lithograph on Arches Printer Paper: Bank Street Atelier, NY. Published by the Sko

Gift of the artist

Alex Katz: Assembly II

March 6, 2014 - June 29, 2014

THE PAUL J. SCHUPF WING FOR THE WORKS OF ALEX KATZ

Curated by Diana Tuite

Alluding to artist Alex Katz's preoccupation with the sociability of forms, be they figures or flowers, this second installment of Assembly once again draws together a range of subjects in diverse media. This selection of paintings, works on paper, and cutouts attests to Katz's concern with the interrelationships among individuals, including model and painter. It also demonstrates his understanding of the landscape, both built and natural, as a community of entities mixing with light.

 
Permanent Collection - Currently on View