MU111: Supplementary Listening #11 |
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I. Schubert, "Erlkönig" (The Erl King) Franz Peter Schubert (1797-1828) was the first master of one of the few new genres of the nineteenth century, the Lied (plural, Lieder), or German art song. He left a remarkable compositional legacy, including nine symphonies, twenty-two piano sonatas, and over six hundred Lieder. You can get some idea of how prolific Schubert was from the following illustration: in a single year, 1816 (at the age of nineteen), he wrote 179 works, including two symphonies, an opera, and scores of songs. The first listening example is one of the great examples of musical story-telling, "Erlkönig." Follow the listening guides in the textbook as you listen. II. Schubert, "Gretchen am Spinnrade" (Gretchen at the Spinning Wheel) Follow the text and translation below as you listen to "Gretchen at the Spinning Wheel." The piano is far more than a mere accompaniment in this song; it approaches being a full partner to the singer. In what ways does the piano reflect not only the situation, but Gretchen's changing mental and emotional states? Concentrate on Schubert's use of mode (major/minor), melodic contour, and register (high vs. low) to emphasize aspects of the verbal text.
Listen to Schubert, "Gretchen am Spinnrade" :
III. Clara Schumann, Liebst du um Schönheit (If You Love for Beauty) Finally, listen to a third Lied, "If You Love for Beauty," by Clara Schumann, following the listening guide in the textbook.
Listen to Clara Schumann, "Liebst du um Schönheit" (If You Love for Beauty) |