The New Yorker

The New Yorker reviewed the Colby College Museum of Art’s previous exhibition Roy Lichtenstein: History in the Making, 1948–1960The exhibition, which originated at Colby, “reminds us of something we tend to lose sight of when we get caught up in the critical business of trying to situate Pop in an art-history genealogy, or to unpack it as social critique, which is that Pop art is funny,” Louis Menand writes.

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