Before listening to the works on these pages,
read the assignment in Todd, Discovering Music
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I. (a-h). Listening for Phrases
The textbook provides relatively little guidance on listening to melodies. Listen to the eight excerpts below, each two phrases long, then
select the sentence that best describes the relationship between the two phrases. You will probably want to listen to each example at least twice,
perhaps using the first listening to locate the phrase endings or (cadences).
        a. The two phrases are exactly parallel or identical.
        b. The two phrases form a sequence.
(Two phrases form a sequence when they are nearly
identical in terms of rhythm and melodic shape, but they differ because
the second phrase is higher or lower in pitch than the first.)
        c. The two phrases are contrasting; they contrast sharply, and have little in common.
        d. The two phrases form an antecedent and consequent pair. (The phrases but end differently, with the first phrase seeming less conclusive than the second. Antecedent/Consequent pairs often sound like question/answer or open/closed.))
Listen to a short song by Robert Schumann, "Ich grolle nicht."
There will be a number of questions about the piece on the first exam.
Begin to prepare by listening repeatedly to the song, concentrating on the two
elements that we've dealt with so far, rhythm and melody.
The following questions will serve to get your ears working, but it is by no means exhaustive.
Try to discover as many interesting things about the work as possible.
What is the most significant alteration that Schumann makes to Heine's poem? Is there a musical reason?
How many large sections are there in the song?
How many phrases are there in each section?
How do the phrases relate to one another? (Identical, sequences, antecedent/consequent, contrasting?)
Are phrases the same length? Different lengths? Both?
Do you hear any sequences?
What role do motives play in the song?
Are the motives always presented literally, or are they varied?
What relationships do you find between the piano and voice?
Ignore the voice and listen only to the piano accompaniment; do you hear
any important musical ideas?
When the singer sings "ich grolle nicht" (I bear no grudge) at the beginning
of the song, are you prepared to belive him? When he repeats those same
words twice at the end of the song do the identical words convey the same
message? How does the music either reinforce or undercut the words of the
song?
Translation: (poem by Heinrich Heine)
Ich grolle nicht und wenn das Herz auch bricht
Ewig verlor'nes Lieb, ich grolle nicht.
Wie du auch strahlst in Diamanten-pracht
Es fällt kein Strahl in deines Herzens
Nacht
Das weiss ich längst.
Ich sah dich ja im Traume,
Und sah die Nacht in deines Herzens
Raume,
Und sah die Schlang', die dir am Herzen
frisst,
Ich sah, mein Lieb, wie sehr du elend
bist.
Ich grolle nicht; ich grolle nicht.
I bear no grudge, though my heart breaks
Eternally lost love! I bear no grudge.
However you may shine in the splendor
of your diamonds
No ray of light falls in the darkness of
your heart.
I have long known it.
I saw you in a dream,
And saw the night within the void of
your heart,
And saw the serpent that is eating your
heart,
I saw, my love, how very miserable you
are
I bear no grudge; I bear no grudge.
Remember, my office is Bixler 229 and my extension is 5677. Don't hesitate to drop in or call
if you have difficulty with any of the exercises after repeated hearings.