MU111 Listening Assignment #1:
Music's Horizontal Dimension: Inteverals, Scales, and Melody
Prof. Saunders

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mu111 Assignment 1

Assignment 1, answers

     Before listening to the works on these pages, read the assignment in Todd, Discovering Music
     Streaming Audio may require Flash Player: Click here to download or activate versions for Mac or Windows
I. (a-h). Listening for Phrases

The textbook provides relatively little guidance on listening to melodies. Listen to the eight excerpts below, each two phrases long, then select the sentence that best describes the relationship between the two phrases. You will probably want to listen to each example at least twice, perhaps using the first listening to locate the phrase endings or (cadences).

        a. The two phrases are exactly parallel or identical.
        b. The two phrases form a sequence.
(Two phrases form a sequence when they are nearly identical in terms of rhythm and melodic shape, but they differ because the second phrase is higher or lower in pitch than the first.)
        c. The two phrases are contrasting; they contrast sharply, and have little in common.
        d. The two phrases form an antecedent and consequent pair. (The phrases but end differently, with the first phrase seeming less conclusive than the second. Antecedent/Consequent pairs often sound like question/answer or open/closed.))


Listen to Exampla Ia:       See Answers to example Ia

Listen to Exampla Ib:       See Answers to example Ib

Listen to Exampla Ic:       See Answers to example Ic

Listen to Exampla Id:       See Answers to example Id

Listen to Exampla Ie:       See Answers to example Ie

Listen to Exampla If:       See Answers to example If

Listen to Exampla Ig:       See Answers to example Ig

Listen to Exampla Ih:       See Answers to example Ih


II. Schumann, "Ich grolle nicht"

Listen to a short song by Robert Schumann, "Ich grolle nicht." There will be a number of questions about the piece on the first exam. Begin to prepare by listening repeatedly to the song, concentrating on the two elements that we've dealt with so far, rhythm and melody. The following questions will serve to get your ears working, but it is by no means exhaustive. Try to discover as many interesting things about the work as possible.

  • What is the most significant alteration that Schumann makes to Heine's poem? Is there a musical reason?
  • How many large sections are there in the song?
  • How many phrases are there in each section?
  • How do the phrases relate to one another? (Identical, sequences, antecedent/consequent, contrasting?)
  • Are phrases the same length? Different lengths? Both?
  • Do you hear any sequences?
  • What role do motives play in the song?
  • Are the motives always presented literally, or are they varied?
  • What relationships do you find between the piano and voice?
  • Ignore the voice and listen only to the piano accompaniment; do you hear any important musical ideas?
  • When the singer sings "ich grolle nicht" (I bear no grudge) at the beginning of the song, are you prepared to belive him? When he repeats those same words twice at the end of the song do the identical words convey the same message? How does the music either reinforce or undercut the words of the song?
Translation: (poem by Heinrich Heine)
Ich grolle nicht und wenn das Herz auch bricht
Ewig verlor'nes Lieb, ich grolle nicht.
Wie du auch strahlst in Diamanten-pracht
Es fällt kein Strahl in deines Herzens Nacht
Das weiss ich längst.
Ich sah dich ja im Traume,
Und sah die Nacht in deines Herzens Raume,
Und sah die Schlang', die dir am Herzen frisst,
Ich sah, mein Lieb, wie sehr du elend bist.
Ich grolle nicht; ich grolle nicht.
I bear no grudge, though my heart breaks
Eternally lost love! I bear no grudge.
However you may shine in the splendor of your diamonds
No ray of light falls in the darkness of your heart.
I have long known it.
I saw you in a dream,
And saw the night within the void of your heart,
And saw the serpent that is eating your heart,
I saw, my love, how very miserable you are
I bear no grudge; I bear no grudge.

Listen to Schumann. "Ich grolle nicht"      


*End of Listening Assignement #1*

Remember, my office is Bixler 229 and my extension is 5677. Don't hesitate to drop in or call if you have difficulty with any of the exercises after repeated hearings.

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