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Ia     a. The two phrases are identical.
      (Beethoven, Symphony #1 in C, 3rd Movement)

Ib     d. Antecedent/Consequent. The two phrases seem to pose a sort of question and answer.
      (Mozart Piano Concerto No. 17 in G Major)

Ic     a. The two phrases are identical (the words change, of course)
      (Beatles, "With a Little Help from My Friends")

Id     c. The two phrases contrast sharply, and have little in common.
      (Gregorian Chant, "O vos angelorem")

Ie     a. The two are identical.
     (Haydn, Symphony #88, 4th Movement)

If     d. Antecedent/Consequent. The two phrases seem to pose a sort of question and answer.
      (Arcangelo Corelli, Sonata, Op. 3)

Ig     b. The two phrases form a sequence. (The second phrase repeats the first at a higher pitch level.)
      (Bernstein, "Tonight" from West Side Story)

Ih     d. Antecedent/Consequent. This is a common type of antecedent/consequent pair: the two phrases begin the same, but the consequent changes at the end to create a more conclusive cadence.
      (Mozart, "La ci darem la mano" from The Marriage of Figaro)

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